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Lisa Ann Corpora, known professionally as Lisa Ann,[1] is an American pornographic film actress and radio personality.[1][4] She has also worked as a director and talent agent.[5] She parodied former Governor of Alaska Sarah Palin in six adult films and a music video.[6] She is a member of the AVN, XRCO, and Urban X Halls of Fame. Ann has been described as one of the most popular and successful pornographic actresses in the world.
Ann quit porn in 1997 due to an AIDS scare in the industry, but resumed performing in February 2006.[7] In 2008, she starred as "Serra Paylin", a parody of Republican vice presidential nominee Sarah Palin, in Hustler Video's Who's Nailin' Paylin?, which was released on Election Day.[8][9] Her directorial film, MILF Revolution (2013), won the 2014 AVN Award for "Best MILF Release".[10] In December 2014, she launched Porn Stars Boot Camp, a consulting firm, and also announced her retirement from performing in adult films; she had breast reduction surgery shortly after retiring as part of her return adult entertainment retirement.[11] Four years later, in 2018, Ann announced her comeback to the adult industry, signing with Evil Angel.
Prior to beginning her adult entertainment career, Ann appeared as a "Snapple Girl" on The Howard Stern Show.[12] She played Palin in the music video for the song "We Made You" by American rapper Eminem.[13] She voiced a character known as "Prostitute #2" in the video game Grand Theft Auto V, released in September 2013.[14] Ann appeared alongside Rayveness and Cory Chase in Season 4, Episode 7 of the Showtime series Billions titled Infinite Game.[15] In 2013, she hosted a Sirius XM show titled Stripper Town.[3] In early 2016, she began participating in fantasy baseball.[1]
Ann was born and raised in Easton, Pennsylvania,[16] May 9, 1972.[2] Her first hardcore scene was in Flesh for Fantasy.[17] During the first two years of her adult film career, she was under contract with Metro/Cal Vista and shot only once a month with porn artist John O'Rourke.[18] She quit porn in 1997 due to an AIDS scare in the industry and spent the following seven years stripping.[19] She also owned a day spa for four years during her hiatus from porn.[20][non-primary source needed] She decided to resume performing in February 2006 after being asked to do a boy/girl photo shoot for Suze Randall.[7] The first scene she shot after returning to the industry was with Christian XXX in Bra Bustin' and Deep Thrustin'.[21] In addition to her work as a performer, she also has credits as a film director, producer, and for makeup.[22]
Ann was selected to co-host the XRCO Awards in April 2010.[23] She retired from pornography in 2014,[1][4] which she announced via a Facebook post.[24] She had a breast reduction surgery shortly after retiring from porn.[16] Following her retirement, she continued to perform in webcam shows occasionally.[11][25] In January 2018, she announced her return to the adult industry, signing with Evil Angel and making four more scenes. Her first scene was with male pornographic performer Isiah Maxwell for her website thelisaann.com.[26][third-party source needed]
In August 2014, Ann reached out to fellow porn actress Belle Knox, also known as the "Duke [University] porn star". Through her agent, who also represents Knox, she wanted to see "How's she doing?". She has been mentoring an average of 10 to 15 girls since 2005.[45] In an interview conducted by XBIZ, Ann said she could sympathize with the media attention that Knox had faced. She had a similar experience when playing former vice presidential candidate Sarah Palin. "I understand that being a new girl in the business can be a very lonely place... She's already out on the road feature dancing, already has a million opportunities and I feel like if that all happened to me, if 'Palin' had happened to me at 19, I don't know how I would've managed it," she said. "So I reached out to her and we started just a little bit of mentoring by text, by phone, by Skype. And I enjoyed the bond when we talked."[46] In December 2014, Ann launched Porn Stars Boot Camp, a consulting firm.[11]
She was among sixteen pornographic actresses profiled in the 2013 documentary film Aroused.[52] In August 2013, she starred in the music video for the song "Dead Bite" by Hollywood Undead.[53] She voiced a character known as "Prostitute #2" in the video game Grand Theft Auto V, released in September 2013.[14]
Ann has campaigned to destigmatize interracial pornography by speaking out about the treatment of black performers in the industry and the lack of work for them.[1] She also wants to help transform the industry to give performers pensions, health insurance, and career guidance.[1]
Annual Conference 2017Saturday 3rd June 2017, 9 30 for 10 00 to 4 pmSt Alban's Centre, Baldwin's Gardens, Holborn EC1N 7RD "Through a glass, darkly" (Corinthians 13) An exploration of sexual fantasy in two psychoanalytic talks:adolescence & pornography and sex & violence Peter Wilson and Jessica Yakeley BCA 25th Anniversary Reception 4 30 - 7 30 pm ( free for conference delegates ) Terms & Conditions
The NetherCockroach Theatre CompanyReview by Mary LaFranceAvenue Q was right: The Internet is for porn. In Jennifer Haley's darkly futuristic play The Nether, virtual reality has become a playground where adults can explore their most socially unacceptable fantasies, complete with sensations, but (supposedly) without any consequences in the real world. Except for one consequence: In Haley's world, some become so enraptured with their online fantasy lives that they become shades, people who withdraw entirely from human society, hooked up to life support systems, living out the rest of their lives as avatars in their favorite virtual world. The temptation to become a shade is strong; the real world that Haley's characters inhabit has become a place of disappointment, where trees have largely disappeared and childhood education takes place exclusively online.Haley poses an interesting moral question: Do these amoral virtual playgrounds serve a socially valuable purpose by enabling people to indulge their fantasies without doing harm to actual people? Or do they encourage and validate these pursuits, ultimately damaging the participants as well as the people around them?The virtual world in question is the Hideaway, a Victorian-style home in which the genteel patriarch Papa encourages his guests to indulge their socially unacceptable desires with under-aged girls, including the charming Iris. The guests, of course, are avatars for the website subscribers; the girlish avatars are played by Papa's employees (the behinders). Papa enforces strict rules for both guests and employees in order to ensure that their identities remain secret; rule violations result in girls being sent off to boarding school.The continued existence of the Hideaway is threatened, however, when the quasi-law-enforcement agents of The Nether, a future incarnation of the worldwide web, decide to shut it down on moral grounds, and begin a quest for the physical location of the offending server. A minor breach of Papa's rules opens the door for investigators to identify the real person behind Papa. But will the enforcement effort do more damage than the Hideaway itself?Cockroach Theatre gives Haley's disturbing play a solid production. In a world where nothing is what it appears to be, Scott McAdam gives an outstanding performance as Papa, the surprisingly sympathetic child pornographer. As the virtual victim Iris, Aviana Glover is equally strong; she subtly combines a childish exterior with an adult sensibility that is crucial to the story.As staged by director Bryan Todd, the world of the Hideaway feels more real and inviting than the sterile world in which the determined interrogator Morris grinds away at her subjects. Jamie Carvelli has yet to find her footing in the difficult role of Morris; she conveys the investigator's zeal without suggesting the human frailties behind that zeal, making her later confessions less than convincing. As Morris's undercover investigator who visits the Hideaway as the avatar Thomas Woodnut, Brandon McClenahan conveys the appropriate degree of ambiguity, moral and otherwise. As Doyle, a brilliant but unfulfilled teacher and longtime Hideaway visitor, Bob Gratrix affectingly portrays the character's withdrawal from human interaction, but almost to a fault—Doyle's verbal clashes with Morris occasionally come across as bloodless speeches rather than cries from the heart. In the play's final moments, however, Gratrix is a revelation.The world of the Hideaway is rendered enticing by Shannon Bradley's vivid scenic design and Kim Glover's nostalgic costumes.The Cockroach Theatre Company succeeds once again in bringing challenging theatre to the Las Vegas community. Because the subject matter is disturbing, the play is suitable for mature audiences only. It is guaranteed to provoke lively post-theatre discussions.The Nether continues through March 13, 2016 (Thursdays and Saturdays at 8 pm, Sundays at 2 pm, and Fridays, March 11, at 8 pm) at the Art Square Theatre, 1025 S. First Street #110, Las Vegas, NV 89101. For tickets ($20 adults, $16 students, 55+, and military) or further information, visit www.cockroachtheatre.comCastSims/Papa: Scott McAdamMorris: Jamie CarvelliDoyle: Bob GratrixIris: Aviana GloverWoodnut: Brandon McClenahanAdditional CreativeOriginal Music Score by Aaron Guidry; Sound Design Mix by Benton Corder;Lighting Design by Elizabeth Kline; Video Design by Brian Henry. 041b061a72